★★★☆☆: It is no coincidence that this show arrives at the end of Tate Modern’s recent Pierre Bonnard retrospective, after all, Vuillard and Bonnard were contemporaries, friends and colleagues. This show represents the Holburne Museum’s attempt at jumping onto the French post-impressionist bandwagon, and, whilst it doesn’t fall entirely short of the mark, one feels it could have done with a little extra thought.